Choosing a point-of-view can be tricky. We hope this post will unlock the secrets.
We wish someone had explained point of view to us, in the beginning.
When John first started writing, we did what most writers do; we wrote in first-person. It was John’s story and he wanted to tell it in his own voice. Our more recent writing has been done in third person. We have found several advantages to writing in third person.
Before we go any further, let me explain what point of view is.
The person telling your story is called the “Point-of-view” character.
It can be:
The main character
A secondary character
A limited narrator
An all knowing narrator
EXERCISE: If you are not sure what point-of-view you want to use, take a look at some of your favorite novels. What point-of-view seems most appealing to you.
The Point-of-View Voice Should Remain Constant.
One super important thing to remember; keep a single point-of-view for each scene or chapter.
If you want a part of your story to be told from a different point of view start a new chapter or new scene. You can separate the different points-of-view within a scene with *** so your reader does not get confused about who is talking.
Here’s another factor, if you have layers or sub-plots they may require a different point-of-view’ than your main story. The most important thing is not to confuse your reader.
What does your point-of-view character sounds like? Is the voice engaging?
Your point-of-view character should have a specific style of speaking. We call this ‘voice.’ You must create a distinctive voice for your point-of-view character.
Distinctive styles of speaking include:
It is essential for your reader to relate to the voice. Your readers may have to hear that voice, for the entire novel. You must create an appealing voice.
Consider the place the point-of-view character comes from. Someone from Texas will speak differently than an Australian or a New Yorker. When you write your story, chose words and idioms that indicate where your point-of-view character comes from.
Even if your point-of-view character is a narrator, you must create an entire character. The narrator for your story must have their own unique personality.
You want your audience charmed by the voice.
Let’s cut to the chase. These are your major options.
The story is told using “I, or we,” and can be either past or present tense.
The point-of-view character can either be the main character or a secondary character or the villain.
First – This point-of-view allows the reader to gain intimate knowledge of your character. You can tell your reader how this character is feeling and thinking.
Second – It is easier to reveal your character to your audience using first person. The better your audience understands your character the more interested they will be in your story.
First – It limits your reader’s connection to the other characters in the story. The writer must explain how the point of view character knows information about other characters.
Second – It can lead to telling the reader what is happening instead of showing by actions and dialog.
Example: I was only sixteen when life spit me out on an unexpected voyage. A certain inner knowing, strange and mysterious, told me my life would never be the same. The thought was not speculative, but a certainty, immediate and complete.
From our book: Secrets of the Mystery Caverns
Example: Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show. From David Copperfield by Charles Dickens
This point-of-view uses “you”. The story can be told in past or present tense. This is probably the most difficult way to tell your story. In this point-of-view, the narrator must involve the reader in the story by asking questions. To accomplish this requires more details to pull the reader into the story.
First: It is easy to become preachy
Second: The writer should be careful not to write in abstract terms.
The writer must keep the story about what is happening and how the characters feel about it.
Example: “Let me tell you about a small town in the Midwest. Cheryl lives in Falling Creek. Her friend, Liz, lives next door. She is the head cheerleader and very popular. She is also very pretty. You may know someone like Cheryl. How do you feel about that girl?
Yes, that is what I thought about Cheryl for a long time. Then one day….
Third Person Point-of-View
The story is told with “He, She, and they”. The story can be in past or present tense but is usually past tense. The point-of-view character tells the story as if they are an outsider looking in.
Obviously, this allows the writer to explore the thoughts and feelings of several different characters.
The Point-of-view person may or may not be a character in the story.
If they are not involved in the story they are called a narrator.
It is easier to head-hop. This means you skip around characters in the same scene. This can be very confusing to your readers.
You must stick to a single character’s point-of-view in each scene.
You can choose to tell your story with a narrator. Remember I said you must create a unique personality for your narrator. The right narrator can add a touch of magic to your story.
Narrators come into different types. One is all knowing and the other is limited. That may explain the difference.
Third person – all knowing.
With this point-of-view, the story is told by a narrator who knows everything that has happened. He/she knows about and can examine all of the characters and their motives. It is extremely important to give details about all the characters.
It allows foreshadowing with statements that will teach your readers.
Example: “Heidi had no idea how dangerous that decision was nor the trouble it would cause,”
Example: Ken had been caught is a web of intrigue he was not prepared for. Pamela had kissed him. Almost seduced him. The trap was set. Ken just did not know it, yet.
For more details see Foreshadowing Using Hints to Tease your Readers.
Third person – limited.
This point of view offers the intimacy of one character’s point-of-view. This is usually a character in the story. It can be past or present tense. The writer must explain how the point-of-view character receives information about other characters.
This may require extensive dialog.
This point-of-view allows the writer to explore one character’s opinions about what is happening.
It also lets the characters, in the story, make mistakes, and struggle with challenges, not knowing the outcome. It can be a very provocative point of view.
Example: The day had started out hot. Ken sat quietly contemplating last night. He could not believe Pamela had kissed him. He wondered what he should do next. He sat pondering for a long time, about what it meant.
Your readers should be charmed by the voice, gripped by the story, and obsessed with your main character.
The point of view becomes the writer’s voice. Make that voice captivating.
Which voice do you like to read?
Which do you think is easiest to write?
Tell us if this article was helpful to you.
Writing should be fun. Using a different voice can change the feel of your story.
John & Patty